
Maalik (2025) – A Gritty Rise to Power Fueled by Rage and Ruthlessness
Maalik isn’t your typical gangster drama—it’s a scorching, violent tale of transformation, ambition, and the hunger to dominate. At the center of this 1980s-set crime saga stands Rajkummar Rao in a career-defining role, shedding every trace of his gentle past characters and emerging as a blood-soaked, power-hungry force of nature.
The story follows Maalik, an ordinary man born into poverty and oppression, whose life spirals into crime after a brutal betrayal. What begins as a desperate struggle for survival evolves into a calculated climb up the ladder of the underworld. What sets Maalik apart is not just the arc—it’s how personal, intimate, and emotionally charged that transformation feels.
Rajkummar Rao is extraordinary. Physically transformed and psychologically haunting, he portrays Maalik as a man molded by trauma and vengeance. His calm voice hides an ocean of rage. His eyes, always calculating, tell more than his words. From quiet moments of reflection to explosive bursts of violence, Rao controls every scene he’s in. His performance doesn’t ask for sympathy—it demands respect.
The supporting cast adds texture. Prosenjit Chatterjee plays a weary but sharp local cop, constantly walking the tightrope between justice and compromise. His scenes with Rao are electric—quiet showdowns filled with tension. Manushi Chhillar brings emotional depth as Maalik’s wife, Vidya, caught between love and fear. Their relationship is a rare anchor in the chaos, offering small moments of warmth in an otherwise cold, ruthless world.
The film’s atmosphere is thick with grit. Director Pulkit captures the rawness of 1980s Allahabad with haunting beauty—dusty streets, dimly lit alleyways, crowded bazaars, and decaying colonial buildings. The cinematography is sharp and moody, using shadows and tight frames to convey the paranoia and power plays lurking in every corner.
Action scenes are brutal, but not overdone. Each fight, each bullet, each blow has weight. One particular scene—where Maalik administers his version of justice by hanging his rivals—is not just violent, but symbolic. It marks the moment where survival ends and domination begins. It’s unflinching and unforgettable.
That said, the film does drag a bit in the middle. It invests time in character-building, which is commendable, but a tighter edit could have kept the momentum sharper. Also, some of the side characters, like rival gang leaders and politicians, feel underdeveloped—functional, but not memorable.
But those issues are minor in the larger picture. Maalik is more than a gangster film—it’s a character study, an origin story, and a brutal reflection of what unchecked ambition looks like when fueled by betrayal. The film doesn’t glamorize violence—it shows its cost, its consequences, and the loneliness that comes with power.
Final Verdict:
Maalik is raw, gripping, and anchored by one of the most intense performances of the year. Rajkummar Rao disappears into the role, making this not just a film, but a haunting descent into the soul of a man who refused to stay small.
Rating: 8.5/10 – Brutal, bold, and unforgettable.